25 May 2012
Vacant Storefront - Greg Kuzma
For more than 45 years the poetry of Greg Kuzma has been attracting the attention of poets and critics from around the world who have followed his writing career from its early work, centered in youthful exuberance and angst, through the dark times of his younger brother’s death, to the depth and profound wisdom that this poet’s engagement with the world has brought to his work.
Professor Emeritus at University of Nebraska in Lincoln, Greg Kuzma has published thousands of poems in literary magazines throughout the country, including several appearances of his work in The New Yorker, Hudson Review, Poetry Northwest, etc. He has published more than 30 books and chapbooks of poetry, including an early book, Good News, published by Viking Press, which was re-published by Carnegie-Mellon University Press in their “Contemporary Classics” series.
He lives in Crete, Nebraska, with his wife Barb. They are the parent of two, and the grandparents of one.
Labels:
greg kuzma,
hippoetics,
long beach,
poetry,
reading,
vacant storefront
Vacant Storefront - Patty Seyburn
Patty Seyburn has been added to the readers line-up. Patty is known as a poet, but she'll be reading non-fiction for us at Vacant Storefront.
Patty Seyburn's third book of poems, Hilarity, won the Green Rose Prize given by New Issues Poetry & Prose. She has published two books of poems: Mechanical Cluster (Ohio State University Press, 2002) and Diasporadic (Helicon Nine Editions, 1998) which won the 1997 Marianne Moore Poetry Prize and the American Library Association's Notable Book Award for 2000. Her poems have appeared in numerous journals including The Paris Review, New England Review, Field, Slate, Crazyhorse, Cutbank, Quarterly West, Bellingham Review, Connecticut Review, Cimarron Review, Third Coast and Western Humanities Review. Seyburn grew up in Detroit, earned a BS and an MS in Journalism from Northwestern University, an MFA in Poetry from University of California, Irvine, and a Ph.D. in Poetry and Literature from the University of Houston. She is an Assistant Professor at California State University, Long Beach and co-editor of POOL: A Journal of Poetry, based in Los Angeles. She lives with her husband, Eric Little, and their two children, Sydney and Will.
Labels:
hippoetics,
long beach,
non fiction,
patty seyburn,
poetry,
reading,
vacant storefront
15 May 2012
SAVE THE DATE!
Vacant Storefront 2012
Music
Visual Art
Fiction
Poetry
Non-Fiction
Sunday, 27 May
5 PM
We're adding more readers, so check back for updates and highlights from last year's Vacant Storefront.
Labels:
art,
collaboration,
fiction,
hippoetics,
long beach,
music,
poetry,
vacant storefront
13 May 2012
MFA Graduate Reading
Did you miss it? Check out the MFA Graduate reading, listed by readers below:
Larry Duncan
Linda Delmont
Mallory Reeves
Nicole Street
Samantha Mehlinger
Rola Eldanaf
Eric Forrester
Kelley Gillaspy
Merica Teng
Luisa Peña
Anna Mavromati
Tamar Altebarmakian
Photos courtesy of Merica Teng!
Larry Duncan
Linda Delmont
Mallory Reeves
Nicole Street
Samantha Mehlinger
Rola Eldanaf
Eric Forrester
Kelley Gillaspy
Merica Teng
Luisa Peña
Anna Mavromati
Tamar Altebarmakian
Photos courtesy of Merica Teng!
12 May 2012
MFA Faculty Reading
In case you missed CSULB's MFA Faculty Reading on May 3rd, check out the profs in action below:
Labels:
bill mohr,
csulb,
faculty,
fiction,
lisa glatt,
mfa,
non fiction,
patty seyburn,
poetry,
ray zapeda,
reading,
stephen cooper,
suzanne greenburg
11 May 2012
Suzanne Lummis Interview
Los Angeles poet Suzanne Lummis sat down with HipPoetics founder Nicole Street to talk Snooki, Facebook, teaching poetry, Noir, and everything Lummisian.
NS You
recently put together an extensive series on noir called “Night in the City,” that took place at over a dozen locations spread
throughout Los Angeles within a week. It must have been a tremendous amount of
work to organize.
SL As
far as I can tell, everything is a lot of work. If I were trying to make a
small farm become self-sustaining, it would be a lot of work. If I wanted to
enter politics as a congresswoman, that would be a lot of work. If I had
invented something and I were trying to get a patent for it . . . so,
everything is a lot of work. I’m not feeling sorry for myself in that respect.
The thing about poetry is that unlike many other endeavors, the stakes are very
low…The remuneration isn’t very good, unless you get to the superstar level,
and start receiving those ten, twenty, hundred thousand dollar grants that go
to a small elect group of people. Also, the recognition compared to celebrity
fame is very small. Its just a little group of people across the country, a
little echelon of people who might know your work and know who you are. But on
the other hand if you’re aspiring to write something so good that it endures
for a very very very long time -- maybe one “very” is good enough. Maybe it
doesn’t need any “very”. Let’s just say you want to write something that
endures for a long time, something that will outlast the fame of Kim Kardashian
or Snooki. Is that her name, Snooki? Then poetry has its possibilities.
NS I’d
like to talk about what you’ve been doing the last several years, but I’m
wondering if we could move in chronological order. Charles Webb suggested
exploring your early life, particularly the influence of your parents.
SL Yes,
my parents were very interesting.
NS How
they’ve affected your life choices, your direction
SL My
father was a very adventurous man, a great lover of beauty and all of its forms
in nature and art and women. My mother also a great appreciator of the arts,
always fascinated that I wanted to write, and it was something I feel that in a
way that she always wanted to do, and that it seemed to be working itself out
in this generation.
My father and mother, Keith Lummis and, back then, Hazel
McCausland met in the US Secret Service. My father was a Secret Service agent,
under the Treasury Department, so his job concerned crimes against the federal
government, and smuggling and counterfeiting. My mother was the third woman to be hired in the Secret
Service office after WWII when all the men went overseas and they started
giving women these jobs that opened up. The job description back in those days
was “secretary,” but she once remarked to me – “the truth is Lois and Diane and
I ran that office”.
When Keith – all his children called him “Keith” because he
always he felt the word “daddy” sounded silly, “Dad” too glib, and “Father” too
grave and formal – when Keith first set eyes on my mother he was still heart
broken after the death of his first wife several years before . He was
devastated -- it almost killed him. He was not interested in women for a while.
But, as he tells it, when he first walked into the Secret Service office and
saw my mother sitting at the front desk, the thought went through his mind -- I wonder if that will be the girl that I’ll
marry. Later, he couldn’t explain to himself why he had that thought
because he didn’t think she was a beauty, that she was some lush babe.
They dated for a long time. My mother did not particularly want to get married,
ever—that was highly unusual in those days, almost unheard of. She wanted to be independent. And my
father really courted her, pursued her, worked to convince her. After both had died we found letters
going back and forth between them – my father persuading her, allaying her
doubts, telling her how much he loved her. My mother was afraid she wouldn’t be
a good wife and mother. In fact she proved to be wonderful in both areas. Once
she committed she gave it a hundred and ten percent – she put others happiness
before her own, sometimes too much.
But thank goodness my father was a persuasive and eloquent letter writer
or I would not be sitting here today with you. You’d be in some other coffee
house interviewing a different writer.
Click below for the rest of the interview.....
Click below for the rest of the interview.....
Labels:
interview,
nicole street,
poet,
riprap,
suzanne lummis
09 May 2012
RipRap Journal #34 Release Party
On behalf of California State University, Long Beach and its English Department, the 2012 staff of RipRap cordially invites you to its annual release party. We will be unveiling the thirty-fourth issue of our literary journal and hearing this year's contributors present their work. Everyone who attends will receive their free copy of RipRap #34.
The release party will be held during the evening of Friday, 11 May 2012 at the Beach Auditorium (1st floor of the University Student Union in the center of campus) from 7:00-9:00pm, 1212 N. Bellflower Blvd., Long Beach, CA 90840.
RipRap #34 features poetry, short stories, non fiction essays, interviews and visual art. We look forward to your attendance and hope you'll continue to support RipRap.
Labels:
csulb,
fiction,
interviews,
non fiction,
poetry,
reading,
riprap,
visual art
06 May 2012
MFA Grad Reading
Final MFA reading of the school year!
Hosted by Patty Seyburn.
We'll have beverages, snacks, and a musical intermission.
You should go.
Tuesday, 8 May
7.00 PM
Soroptomist House (SOR on map below)
CSULB
You can park in nearby Lot 1
03 May 2012
The One Day Poetry Festival
In case you missed The One Day Poetry Festival at CSULB on April 16th (or if you'd like to relive it), you can watch video of our readers by clicking the links below:
Labels:
csulb,
hippoetics,
michelle mitchell-foust,
poetry,
reading,
ron silliman,
sandra gilbert,
the one day poetry festival
5th MFA Reading @ Gamboa Theater
Labels:
csulb mfa,
fiction,
kevin chidgey,
linda delmont,
long beach,
poetry,
reading,
rola eldanaf,
sean mcdougal
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